Sofía Olascoaga’s practice is focused in the intersections of art and education, through the exploration of encounters, think-tanks, and public programs along with artists, theorists, curators, and educators, and with a wide range of institutional and independent interlocutors.
Olascoaga was co-curator of the 32nd Bienal de São Paulo Incerteza Viva; Academic Curator at MUAC (Museo Universitario de Arte Contemporáneo – UNAM) in Mexico City, 2014-15; research curatorial fellow at Independent Curators International, 2011; and Helena Rubinstein Curatorial Fellow at the Whitney Museum of American Art’s Independent Study Program, 2010. She received her BFA with honors from La Esmeralda National School of Fine Arts. In 2012, she was workshop clinics director at International Symposium of Contemporary Art Theory and, from 2007 to 2010, head of education and public programs at Museo de Arte Carrillo Gil, both in Mexico City. Sofia is a member of Another Roadmap for Arts Education, of Red de Conceptualismos del Sur, and has contributed in specific events with the network Arts Collaboratory.
Her long-term research project, Between Utopia and Disenchantment (Entre utopía y desencanto), focuses on the collective memory and genealogies stemming from intentional community models developed in Mexico in past decades, addressing the ideas posed by Ivan Illich at the Centro Intercultural de Documentación (CIDOC), and its influential role in the practice of many Mexican and international thinkers and various self-organised initiatives.
She is currently member of Sistema Nacional de Creadores Artísticos, 2019-2022 in Mexico, as grantee in Experimental Practices (2019-22) to develop the project The Nurturer: Cooking to Learn (La Nutridora: Una cocina para aprender).